Christina Rossetti Research Paper

Christina Rossetti was born at 38 Charlotte Street (now 105 Hallam Street), London to Gabriele Rossetti, a poet and a political exile from Vasto, Abruzzo, and Frances Polidori, the sister of Lord Byron's friend and physician, John William Polidori.[1] She had two brothers and a sister: Dante became an influential artist and poet, and William and Maria both became writers.[1] Christina, the youngest, was a lively child. She dictated her first story to her mother before she had learned to write.[2]
Rossetti was educated at home by her mother and father, who had her study religious works, classics, fairy tales and novels. Rossetti delighted in the works of Keats, Scott, Ann Radcliffe and Matthew Lewis.[3] The influence of the work of Dante Alighieri,
In 1843, he was diagnosed with persistent bronchitis, possibly tuberculosis, and faced losing his sight. He gave up his teaching post at King's College and though he lived another 11 years, he suffered from depression and was never physically well again. Rossetti's mother began teaching to keep the family out of poverty and Maria became a live-in governess, a prospect that Christina Rossetti dreaded. At this time her brother William was working for the Excise Office and Gabriel was at art school, leading Christina's life at home to become one of increasing isolation.[5] When she was 14, Rossetti suffered a nervous breakdown and left school. Bouts of depression and related illness followed such as cancers. During this period she, her mother, and her sister became deeply interested in the Anglo-Catholic movement that developed in the Church of England. Religious devotion came to play a major role in Rossetti's
In 1848, she was the model for the Virgin Mary in his first completed oil painting, The Girlhood of Mary Virgin, which was the first work to be inscribed with the initials 'PRB', later revealed to signify the Pre-Raphaelite Brotherhood.[7] The following year she modelled again for his depiction of the Annunciation, Ecce Ancilla Domini. A line from her poem "Who shall deliver me?" inspired the famous painting by Fernand Khnopff called "I lock my door upon myself". In 1849 she became seriously ill again, suffering from depression and sometime around 1857 had a major religious