Chicano Movement
Books
Azcona, Stevan Cesar. Movements in Chicano Music: Performing Culture, Performing Politics, 1965-1979.
Austin: The University of Texas at Austin, 2008.
McFarland, Pancho. Chicano Rap: Gender and Violence in the Postindustrial Barrio. 1st Ed. Austin:
University of Texas Press, 2008.
Pena, Manuel. The Mexican American Orquesta: Music, Culture and the Dialectic of Conflict. Austin:
University of Texas Press, 1999.
Quirarte, Jacinto. Chicano Art History: A Book of Selected Readings. San Antonio: University of Texas at
San Antonio, 1984.
Rosales, Francisco Arturo. Chicano!: The History of the Mexican American Civil Rights Movement.
Houston: Arte Publico Press, 1997.
Sanchez, George. Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles,
1900-1945. New York: Oxford Univ. Press, 1993.
Vargas, George. Contemporary Chicana Art: Color & Culture for a New America. 1st ed. Austin: University of Texas Press, 2010.
Journal Articles/ Literacy Magazines
Chavez, Roberto. “Why paint.” AZTLÁN. Vol. 36, N. 1. Spring, 2011. 213-220.
“Chicano music: from country and rock to soul and Mexican rancheras.” National Hispanic Journal. Vol.
1, N. 4. Spring, 1983.
Garza, José and Reyes, Felipe. “El Grupo: the initiation of the first Chicano art group in Texas, 1967.”
AZTLÁN. Vol. 34, N. 1. Spring, 2009. 247-261.
Montoya, Jose. “Chicano art: resistance in isolation 'aqui estamos y no nos vamos.'” Missions in Conflict:
Essays on U.S.-Mexican Relations and Chicano Culture. Ed. Renate von Bardeleben, Dietrich Briesemeister, and Juan Bruce-Novoa. Tubingen, W. Germany: Gunter Narr Verlag, 1986. 26-30.
Rodríguez, Richard. “The verse of the godfather: signifying family and nationalism in Chicano rap and
Hip-hop culture.” Velvet Barrios: Popular Culture & Chicana/o Sexualities. Ed. Alicia Gaspar de
Alba. 1st Ed. New York; Houndmills, Basingstoke: Palgrave Macmillan, 2003. 107-122.
Samaniego,
Azcona, Stevan Cesar. Movements in Chicano Music: Performing Culture, Performing Politics, 1965-1979.
Austin: The University of Texas at Austin, 2008.
McFarland, Pancho. Chicano Rap: Gender and Violence in the Postindustrial Barrio. 1st Ed. Austin:
University of Texas Press, 2008.
Pena, Manuel. The Mexican American Orquesta: Music, Culture and the Dialectic of Conflict. Austin:
University of Texas Press, 1999.
Quirarte, Jacinto. Chicano Art History: A Book of Selected Readings. San Antonio: University of Texas at
San Antonio, 1984.
Rosales, Francisco Arturo. Chicano!: The History of the Mexican American Civil Rights Movement.
Houston: Arte Publico Press, 1997.
Sanchez, George. Becoming Mexican American: Ethnicity, Culture, and Identity in Chicano Los Angeles,
1900-1945. New York: Oxford Univ. Press, 1993.
Vargas, George. Contemporary Chicana Art: Color & Culture for a New America. 1st ed. Austin: University of Texas Press, 2010.
Journal Articles/ Literacy Magazines
Chavez, Roberto. “Why paint.” AZTLÁN. Vol. 36, N. 1. Spring, 2011. 213-220.
“Chicano music: from country and rock to soul and Mexican rancheras.” National Hispanic Journal. Vol.
1, N. 4. Spring, 1983.
Garza, José and Reyes, Felipe. “El Grupo: the initiation of the first Chicano art group in Texas, 1967.”
AZTLÁN. Vol. 34, N. 1. Spring, 2009. 247-261.
Montoya, Jose. “Chicano art: resistance in isolation 'aqui estamos y no nos vamos.'” Missions in Conflict:
Essays on U.S.-Mexican Relations and Chicano Culture. Ed. Renate von Bardeleben, Dietrich Briesemeister, and Juan Bruce-Novoa. Tubingen, W. Germany: Gunter Narr Verlag, 1986. 26-30.
Rodríguez, Richard. “The verse of the godfather: signifying family and nationalism in Chicano rap and
Hip-hop culture.” Velvet Barrios: Popular Culture & Chicana/o Sexualities. Ed. Alicia Gaspar de
Alba. 1st Ed. New York; Houndmills, Basingstoke: Palgrave Macmillan, 2003. 107-122.
Samaniego,