In DH Lawrence's stories "The Blind Man" and "The Horse Dealer's Daughter," the reader watches as characters move from having something missing in their lives, to being truly whole.
Lawrence uses images of darkness to illustrate the emotions of his characters. In "The Blind Man," Isabel goes to look for Maurice and when she steps into the stable where he is, "The darkness seemed to be in a strange swirl of violent life" (Lawrence, 132). The darkness that swirled around Isabel is the darkness in which Maurice lives. The "Horse Dealer's Daughter," is also consumed in darkness, as seen in the description of the dwindling town. The description reads like a disaster report on the five o'clock news: "across a shallow dip in the country, the small town was clustered like a smoldering ash, a tower, a spire, a heap of low, raw, extinct houses" (Lawrence, 147). To live in a town such as this, a person would become part of the "smoldering ash," as Mabel had. When Mabel was with her brothers she "sat on like one condemned," (Lawrence, 144) as they discussed her fate. She stayed quiet, working in the house because the family could no longer afford the hired help they once had. They could, in fact, no longer afford the horses that once brought them money. As the family breaks apart, with each sibling going his separate way, Mabel finds herself trapped by her emotions.
There is a great tension felt by each of Lawrence's characters. Mabel, in "The Horse Dealer's Daughter," and Maurice, in "The Blind Man," are excellent examples of this tension. Mabel's tension seems to remain an internal struggle, while Maurice's affects his wife greatly. After closer examination, it is apparent that Mabel's internal struggles become evident as she interacts with her brothers. She works in the kitchen and rarely answers them when they speak to her. She has pushed aside any traits she may have possessed and has become like a hired hand, going about her work, not speaking. Maurice's...
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