Infinitely Waiting for Godot
Vladimir and Estragon are two tramps waiting for someone who is never going to come around. We all may find ourselves waiting at one point in time may it are at the grocery store or simply waiting outside of my English class. One may come to find that these two characters are a picturesque example of the futility of human life. “They talk, they walk, they play different games, they abuse and rebuke each other, even they try to attempt suicide to free themselves from the agonies of life but this remains just an abortive attempt” (Shabnum 1). This inability to free themselves from the shackles of their average day to day monotony makes for a repetitive and predictable play. This repetitiveness only furthers the idea that the pair will be waiting for Godot eternally. The pair seems to be drawn to Godot for one reason or another and cannot bring themselves to leave before they meet Godot.
“As Vladimir and Estragon are already condemned to endless suffering in the form of ceaseless waiting, the spectator might expect them to focus their game on a more optimistic issue” (Karic 2). As Vladimir and Estragon wait on Godot they exemplify the senselessness of human life. Vladimir who can be characterized as the alpha male of the group constantly states that he would like to leave, but the drive to stay put precedes his desire to leave. Knowing this one could assume that Vladimir is extremely discontent with himself. His alpha male persona he portrays is simply a façade to hide his inner feelings of boredom and loneliness. The exchanging of hats between Vladimir and Pozzo show that, Vladimir is yearning for outside stimulus. This give-and-take of hats can be looked at as an interchange of Vladimir’s and Pozzo’s thoughts. This longing for an external source of sensory information is what keeps Vladimir endlessly waiting.
Estragon is a sharp contrast from the boldness of Vladimir. Estragon seems to be sitting...
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