Just as one can find recurring topics of discourse and discussion in many different artistic representations, one is frequently able to relate such themes to the experiences they endure in life. One prime example of this can be found in the literary composition The Catcher in the Rye to the film production I Am Sam by Jessie Nelson. Both The Catcher in the Rye and I Am Sam illustrate the notion of childhood versus adulthood, and how the protagonists of each fight for the protection against maturity. Both Sam and Lucy Dawson of I Am Sam experience the values, tendencies and life situations that Holden Caulfield fights to protect throughout The Catcher in the Rye. This can be illustrated through parallel themes, the loss of innocence, and a bildungsroman archetype.
Both The Catcher in the Rye and I Am Sam provide their audiences with tangible evidence of the notion of the protection of childhood. An example of this concept in The Catcher in the Rye can be seen by looking at the evidence J.D. Salinger has placed in Holden's surname; Caulfield. A caul' by definition is a membranous sac that encloses an embryo. This process is literally the safeguard of a fetus at birth; which is concrete evidence to illustrate the theme of protecting childhood, if one looks into the text. Thematically, I Am Sam can also be looked upon as the protection of childhood and innocence in that of its own title. I Am Sam is based upon the Dr. Seuss series of children's books Green Eggs and Ham, which shows the innocence and childishness of its characters. Green Eggs and Ham is referenced throughout the film to further the theme that both protagonists, a child of seven and her father of forty, both stuck in the midst of childhood and adulthood.
The Catcher in the Rye and I Am Sam can also be looked upon as an individual's understanding of the human condition. This is one of the protection of, but inevitable loss of innocence, which is correlated to the transition of a child...
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