Bromante's Architecture Represents the High Reneissance

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  • Topic: St. Peter's Basilica, Milan, Rome
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  • Published : April 7, 2012
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How Donoto Bromante’s Architecture represents the High Reneissance Linda Williams
ART 101
Anne Olden
April 2nd, 2012

Donato Bramante was born in 1444 to a poor farmer’s family. Bramante was a famous Italian painter and architect. He moved to the city of Milan in 1474, where the gothic style of buildings influenced his creations. The High Renaissance was a time in Italy and Rome that the artists were learning how to show perspective, and about anatomy. Donato D’ Angelo Bramante made his mark in the High Renaissance period. He inspired other architects to express themselves. Some of his works include the church of Santa Maria presso, the Tempietto, Santa Maria delle Grazie, the new St. Peter’s church, and others (Catt, 2010). By 1499, the French occupation of Milan had forced Bramante to Rome. Taken up by the entourage of Alexander VI, he first designed the cloister of S. Maria della Pace (Bramante, Donato, 1994). In 1476 Bramante first greatest achievement was the church of Santa Maria presso San Satiro. It was built on commission by Duke Sfora that was dedicated to Saint Satyrus (biographybace, n.d.). However, Bramante’s contributions are seen in the choir area that he remodeled. Bramante had used perspective painting to make it look larger than it really was. Using the art of illusion he made the choir seem to be three bays long, but the space did not actually exist. There was a wall that prevented Bramante from building the choir. So what you see actually is only one meter deep (Web Gallery of Art, n.d.). “Italian architect and painter. He is best known as the greatest exponent of High Renaissance architecture. His first building, Santa Maria presso San Satiro in Milan (c.1481), use perspective to give an illusion of deeply receding space in the choir. In 1506, he started rebuilding St Peter's, Rome. His influence was enormous, and many Milanese painters took up his interest in perspective and trompe l'oeil” Donato Bramante, (2008). The...
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