Blake’s Optics in Demeanor of Cathedral’s Codified
Blake’s optics in demeanor of cathedral’s codified religion and his mystification of God and religion.
“I am in God’s presence night and day
And he never turns his face away.” William Blake
I am perplexed by the lines as if it has some magnetic gusto to realize belief and his spiritual world. We can easily figure out William Blake 's artistic accomplishment in scrutiny of the spiritual world of human experience which is also the cardinal theme as well as motive of all his art. Blake 's spotlighted verse is dominated with social concerns fixating on the historic and psychic origins of religious faith and on religion 's influence on human behavior. His poetry holds the beams that embellish but also it surprisingly devoid of devotional aroma. Blake was heartened that religion profoundly affects every aspect of human life - political, economic, psychological, and cultural. Blake illustrates to an extent, an ambiguity about religion in his poems. Blake’s poetry shows the way of religion impinging life and behavior of the human soul. Each of the poems depicts a different demeanor on religion. Religion was another aspect of society that Blake opposed because of its catalogue of habitude. The practices of codified religion combated with Blake 's contour and adherence. Codified religion and the shadows it casts upon the natural world are corollary topics that William Blake addresses in his writings. The issues that Blake discussed during his lifetime are still applicable to modern day society. Blake’s position in relation to other religious movements of his day, including millenarianism, Deism and Dissenters, and examines Blake’s attempts to “demythologize” Christianity.
Blake opposed religious aspect of society because it’s organized practice. He rejected many conventional beliefs and was outspoken about organized religious authority, which he viewed with suspicion. In his writing we can figure out focus of individual
“I am in God’s presence night and day
And he never turns his face away.” William Blake
I am perplexed by the lines as if it has some magnetic gusto to realize belief and his spiritual world. We can easily figure out William Blake 's artistic accomplishment in scrutiny of the spiritual world of human experience which is also the cardinal theme as well as motive of all his art. Blake 's spotlighted verse is dominated with social concerns fixating on the historic and psychic origins of religious faith and on religion 's influence on human behavior. His poetry holds the beams that embellish but also it surprisingly devoid of devotional aroma. Blake was heartened that religion profoundly affects every aspect of human life - political, economic, psychological, and cultural. Blake illustrates to an extent, an ambiguity about religion in his poems. Blake’s poetry shows the way of religion impinging life and behavior of the human soul. Each of the poems depicts a different demeanor on religion. Religion was another aspect of society that Blake opposed because of its catalogue of habitude. The practices of codified religion combated with Blake 's contour and adherence. Codified religion and the shadows it casts upon the natural world are corollary topics that William Blake addresses in his writings. The issues that Blake discussed during his lifetime are still applicable to modern day society. Blake’s position in relation to other religious movements of his day, including millenarianism, Deism and Dissenters, and examines Blake’s attempts to “demythologize” Christianity.
Blake opposed religious aspect of society because it’s organized practice. He rejected many conventional beliefs and was outspoken about organized religious authority, which he viewed with suspicion. In his writing we can figure out focus of individual
Bibliography: Blake, William. 1988. The Complete Poetry and Prose of William Blake. Ed. David V. Erdman. Rev. ed. New York: Doubleday. Freke, Timothy and Gandy Peter “Jesus and the lost Goddess.” Northrop Frye, Fearful Symmetry: a study of William Blake (Princeton University Press, 1990) Ryan, Robert. "Blake and religion." The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge University Press, 2003. William Rix, Robert. “William Blake, Thomas Thorild and Radical Swedenborgianism.” Wilson, Mona. 1971. The Life of William Blake. Ed. Geoffrey Keynes. Oxford: Oxford University Press.