Away and Smokey Joe's Caf

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The concept of journey exceeds beyond physically traveling, as the traveller encompasses an emotional and intellectual journey along the way. These journeys are a process in which the traveller grows and changes in response to extending themselves out of their comfort zones and overcoming the struggle with themselves, each other and with nature. The play ‘Away’, composed by Michael Gow through the use of dramatic techniques and the novel ‘Smokey Joe’s Café through language techniques have both demonstrated how physical Journeys impacts on the travellers inner growth. ‘Away’, set in the late 1960’s reflects the Australian events and situations at that time. These shape the attitudes and behaviour of the characters Gow uses, it strengthens Australia’s historical context for the audience. There is a cyclical structure

Nature is a symbolic theme that sharpens ‘Away’ physical setting. Gow significantly sets the play over the Christmas holidays, portraying three ordinary yet contrasting families that are eventually drawn together by the power of nature. This time of year symbolises the birth of Christ that contradicts the imminent death of Tom. His approaching imminent death of Tom. Tom’s approaching death heals the characters, as they become linked to the natural cycle, we are born to die.

“Give me your hands if we be friends, and Robin shall restore Amends. ‘ ( Act 1, Sc 1) This signifies the beginning journey of reconciliation and acceptance through use of intertextuality. Gow has made cross reference with Shakespeare. Tom’s role as Puck, infiltrated from a ‘Midsummer Night’s Dream’, encapsulates his significance in the overall play. Puck’s power to restore and heal alludes and soaks into Tom’s character as his awareness of both life and death become the base of power for a catalyst change in others. Tom’s ability to transform Coral and inspire his parents is expressed through the play within a play. ‘Stranger on the shore” Tom’s deep sense of his...
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