Preview

art apprecition

Good Essays
Open Document
Open Document
591 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
art apprecition
ART Appretiation
10/15/11
Art Essay

This report is on my visit to the Getty Villa. In this report I will go over some of the architectural styling’s of the Getty Villa. Which were inspired by the Villa dei Papiri. The Villa dei Papiri was destroyed by the eruption of Mt. Vesuvius in 79 A.D. As well as some design elements and details.
Entering the villa the first room I walk into is the atrium. The atrium is the main public room in a Roman house. In the middle of the atrium is an impluvium, which is like a small pool. And it has an open ceiling above it so it can catch rain water. This room leads me out to the Inner Peristyle. Rows of columns surround this beautiful garden. The columns are modeled after those in the House of the Colored Capitals in Pompeii. In the corners are marble fountains that are re-creations from the Villa dei Papri. And a narrow pool is in the center and is lined with replicas of bronze statues that resemble women that would have once been found at the Villa dei Papiri. As I walk around the colonnade I notice the coffered ceiling. This ceiling imitates stone ceilings found on the Street of the Tombs in Pompeii. The colonnades floor is paved with terrazzo.
The next area I enter is the Triclinium which is the main dining room and where guests were entertained. The gorgeous floor is inlaid stone and imitates the one found in the House of Deer in Herculaneum. The ceiling is arched with recessed panels. And illustrated with illusionist scenes with elements inspired by the House of the Fruit Orchard in Pompeii. The walls have Corinthian pilasters that are modeled from the House of Relief of Telephus in Herculaneum. This room leads me out to the Outer Peristyle. This was used to grow plants and fruit trees for the kitchen as well as provide a cool place to sit during the summer months and to bring light and air to the interior of the house.
The walls that surround the colonnade are painted with a motif of

You May Also Find These Documents Helpful

  • Good Essays

    ‘The typical entrance of these plush residences was a small street doorway with and entrance corridor (fauceis) that opened out into a large columned atrium with a rectangular pool of water (impluvium) open to the sky and from which other rooms, for example, a bedroom (cubicla) or dining room were accessed.’ - Mark Cartwright…

    • 1025 Words
    • 5 Pages
    Good Essays
  • Satisfactory Essays

    Pompeii Research Paper

    • 533 Words
    • 3 Pages

    Pompeii was built in an oval shape. A wall with eight gates surrounded the city. The streets were paved with blocks of lava. In the center there was something called a forum, or an open square. The city had a gladiator's court, an amphitheater, many temples, and three large public baths.…

    • 533 Words
    • 3 Pages
    Satisfactory Essays
  • Powerful Essays

    El Paso High Term Paper

    • 1517 Words
    • 4 Pages

    On the exterior of the building, Trost decided on a buff terracotta façade that helps to blend the building in with the surrounding scenery.2 The Tuscan-styled Roman hexastyle portico sits on a podium, located in center of the building with rectangular block wings on each side of it.3 The portico is surrounded with six Corinthian styled polylithic columns.4 The columns and most of the façade is pieced together, and is not made of solid concrete.5 The capitals are adorned with helix, acanthus leaves, and a fleuron.6 Past the astragal, we see the shaft is fluted down to the filet, with a torus, scotia, torus, and plinth making up the base.…

    • 1517 Words
    • 4 Pages
    Powerful Essays
  • Good Essays

    The cities of Pompeii and Herculaneum have both provided valuable evidence that has contributed to our understanding of life in Pompeii and Herculaneum, and Roman society as a whole. There are almost no literary remains from Antiquity possessing greater human interest than the graffiti on the walls of Pompeii and Herculaneum. The character of these inscriptions is extremely varied, and illustrates the life of two bustling and luxurious cities.…

    • 296 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Art 101 Week 1 Assignment

    • 582 Words
    • 3 Pages

    The first art work chosen was a figure by Myron of Athens, Discobolous. The Discobolous, a Discus Thrower, is a Roman marble copy after a bronze original of 450 BCE. A picture of this piece is shown below, figure 1. This piece of art work is simply amazing and exemplifies the Greek sense of harmony and balance (Petronius, 2008). The artist depicted the statutes of that time, a male nude figure, which seems to express freedom of movement and the Greeks idea of beauty. Furthermore, this artwork exemplifies the role of the artist through a representation of human strength and values.…

    • 582 Words
    • 3 Pages
    Satisfactory Essays
  • Good Essays

    However, it was the articulation that gave the Collosseum its “meaning as a great public monument of Imperial Rome”6. One feature that illustrates how this was achieved is the sophisticated pattern of the façade: each arcade is semicircular, one over the other and is framed with an entablature and cornice achieving regularity and proportion: an important element in…

    • 320 Words
    • 2 Pages
    Good Essays
  • Satisfactory Essays

    Art Analysis

    • 374 Words
    • 2 Pages

    Christina’s World is a painting set in 1948 by American painter Andrew Wyeth, and one of the best known paintings from the late 20th century. It illustrates a woman lying on the ground in a treeless, mostly orangey field, looking up at a gray house on the horizon with barns and small sheds across from the house. The young woman in the painting is Anna Christina Olson. It is said she suffered from polio (a muscular deterioration) that paralyzed her from the waist down. Wyeth had a summer home close to Christina’s and was inspired to draw the painting after he saw her crawling through the field of her home. The painting’s wasted limbs and pink dress belong to Christina Olson. The youthful head and torso belong to Betsy Wyeth (Andrew Wyeth’s wife) who was then in her mid-20s. Although Olson was the inspiration and subject of the painting, she was not the primary ideal.…

    • 374 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    ART ANALYIS

    • 764 Words
    • 4 Pages

    The painting in the Mint Museum of Art Collection that I have chosen for my paper is titled Philip the Fair, by Kehinde Wiley. He painted this piece in 2006. He portrays a naturalistic style of an anonymous young African-American male model. It’s a larger than life painting standing one hundred and twelve inches by eighty-six inches tall. One must look up at the painting if not standing far enough away to view it entirely. This piece is an oil and enamel on canvas resulting in intense colors with a lustrous surface.…

    • 764 Words
    • 4 Pages
    Good Essays
  • Best Essays

    Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus from 27 B.C. to 14 A.D. 1,2 Born Gaius Octavious, known as Octavian in his early years rose to become the first emperor of Rome after ending the second triumvirate through defeating Antony and Lepidus.3 When Octavian returned to Rome, he was honoured by the Senate and the Roman citizens for bringing peace and prosperity to a war-weary Roman world.4 He was then granted the name “Augustus” which is an important symbolic act to legitimize his political control as an emperor over Rome.5 Augustus’ main intention is to establish a stable Rome under his authority and this is largely shown through his restoration of incomplete buildings by Caesar. During his reign, as stated in his bibliography, Res Gestae, he claimed that he “repaired eighty and two temples of the gods in the city, … omitting none which at that time needed repair”.6 However, he also erected four new temples during his reign and these temples largely convey the message of him wanting to show that he was a dependable and better ruler.7 Stamper argues that the building of temples in Rome by various rulers form a large connection of showing power and authority over the city.8 Thus, based on this intention of Augustus, this essay will analyse three different temples completed…

    • 4128 Words
    • 17 Pages
    Best Essays
  • Good Essays

    Impacts Of Pompeii

    • 1456 Words
    • 6 Pages

    The destruction of the small city of Pompeii, located in Italy near the coast of Bay of Naples and Mount Vesuvius, devastated the city. The way of life known to the people of this city was changed completely because of this tragic event. Through the well-preserved artifacts we discover more of Rome everyday life and society. In just the blink of an eye life can go from living with one's family to be a preserved body that scientists study for knowledge of the past.…

    • 1456 Words
    • 6 Pages
    Good Essays
  • Better Essays

    Pantheon Research Paper

    • 3554 Words
    • 15 Pages

    It was a building of the ordinary classical type. It is rectangular with a gabled roof which is supported by a colonnade on all sides. There were eight columns in the first rank and two pairs of four behind. The building was rebuilt completely with a few alterations made in the early 3rd century. The building is circular and constructed of concrete which is faced with bricks and has a great concrete dome (or roof), rising from the walls. At the front there is a porch of Corinthian columns supporting a gabled roof with a triangular pediment.…

    • 3554 Words
    • 15 Pages
    Better Essays
  • Good Essays

    Describe The Pantheon

    • 412 Words
    • 2 Pages

    Contrasting the outside with the inside we can say that the inside takes a more Roman swing and portrays itself as less idealised than the classical greek architecture of the exterior. The exterior is a lost more basic and unadorned with that much detail contrasted with the inside, inside we see an embellishment of decorations including a dome using the so called honeycombing effect also called coffers which allows the building to appear larger than it actually is. The eight niches to the side indicate where the statues would have gone but have since been lost to history. The marble floors contributing to this idea of simple geometry as they are inlaid with coloured granite making circles and rectangles however sadly much of the original marble and bronze which would have been on the originally has been removed particularly due to Pope Urban VII's who ordered the bronze to be melted to help with…

    • 412 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Built in the courtyard of San Pietro in Montorio in Rome in 1502, the Tempietto is a small commemorative tomb for St. Peter. Drawing from the style of early Greek temples called a tholos, the Tempietto uses a centralized plan of a peristyle enveloping a cella. Harkening back to the classical obsession with symmetry and proportion, Bramante achieved an incredible harmony and balance between the dome, drum and base. Additional features such as the stylobate, steps, colonnade and dome all are derived from classical architecture. The columns are an example of the Doric order. The circular temple supports a classical entablature, consisting of a frieze with triglyphs and metopes, which consist of symbols of Christian passion. Although antique models provided the inspiration for all its details, the combination of parts and details were new and original, especially the fusion of the antique with new Renaissance styles. For example, Bramante adds a dome, which had a renewed interest in the Renaissance, to a tholos design which traditionally did not include a domed roof. The Tempietto is the perfect example of the Renaissance relationship between ideal ancient geometry, perfection and the divine. The connection between ideal ancient geometry and the divine was very important to Renaissance artists who strove to create exemplars of the perfection of heaven, using geometry and symmetry. Including classical elements as a connection to the divine, Bramante’s Tempietto fosters a link between architecture from antiquity and the expression of the Renaissance Christian faith. Comprised of the intricate mixture Greek influence, Renaissance architectural ideals and Bramante’s own person style, the Tempietto is a clear example of the innovation and thought behind Renaissance buildings, which sets them apart from their…

    • 1492 Words
    • 6 Pages
    Good Essays
  • Powerful Essays

    All of Venturi’s architectural decisions are thought-provoking as they were very unusual in the 1960s, but very typical today. His ideas of symbolism and experimentation with symmetry are evident in the Vanna Venturi House. Symbolism seemed to be a very…

    • 1346 Words
    • 5 Pages
    Powerful Essays
  • Good Essays

    The complexity of his buildings often tend to strike its viewers as almost fragile, though his monuments seem to stand the ultimate test of time pretty well. As a viewer, I was first intrigued by the two main facades which seem to undoubtedly juxtapose each other. The Nativity Facade, which is the eastern transept that celebrates the birth of christ, is evidently contrasted by its opposite facade— the Passion Facade. The Passion Facade is more vertically driven and less ornate with long columns. The Nativity Facade however, is personified with “ornate sculptural treatments with a remarkable naturalistic efflorescence” ( Gaudi Unseen, 42). This intriguing approach to conveying altering emotions for different facades, strike me personally as unique. Another particular facet of this monument is its uncommon sense of nature created by men. The Lateral Nave that contains columns that intersect, blend so naturally together that I almost felt in a setting of constructed nature. “ The intersection of the columns appear as ‘ branches’ with the ceiling surface as a ‘forest canopy” (Gaudí unseen 50). In Gaudí Unseen, the authors also clearly felt a component of nature, though obviously manually built. In the Symbology of the Temple of the Sagrada Familia, Fargas and vivas support the Architect’s connection with nature in his work. The authors claim that “ the inspiration in nature was so intense and evident…

    • 595 Words
    • 3 Pages
    Good Essays

Related Topics