Throughout the play, Antigone, both Creon and Antigone suffer from tragic flaws which eventually lead to their downfall. Creon and Antigone cannot control their excessive pride so they eventually pay for their hubris. Antigone’s tragic flaw is her uncompromising, unyielding passion for burying Polynieces. Her Hubris gets the best of her, as does Creon’s, and is due to be bured alive. Antigone’s arrogance and excessive pride eventually led to her downfall, but her arrogance towards Creon eventually led to her death. Creon’s tragic flaw, however, was his inability to bend or yield to the views and ideas of others, or the god’s. Creon’s inflexibility led him to be more of a tyrannical leader towards the city of Thebes. Towards the end of the play Creon’s hubris is put to the test as he faces the god’s on his ways of leadership. As they see he is not willing to change as they pleased they curse Creon and his family. However, it is to late for Creon once he realizes the errors of his ways. As he’s giving Polynieces a proper burial Antigone is hanging herself. In an attempt to kill his father Haimon kills himself, and his wife, Eurydice, kills herself while cursing Creon as the murderer of their family. Creon has to live with this guilt and disgust for the rest of his life. These two both found some tragic flaw as to their hubris which eventually led to their downfall, therefore, Antigone and Creon express the theme that excessive pride leads to suffering and sorrow.
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