Analysis: The Picture of Dorian Gray

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Wilde published his only novel, The Picture of Dorian Gray, before he reached the height of his fame. The Picture of Dorian Gray with being an immoral tale. It also succinctly sets forth the tenets of Wilde’s philosophy of art. Devoted to a school of thought and a mode of sensibility known as aestheticism, Wilde believed that art possesses an intrinsic value—that it is beautiful and therefore has worth, and thus needs serve no other purpose, be it moral or political.  The short part under analysis describes how Dorian and his friend went to theater to watch Sibyl play. The main conflict of the analyzed extract is how quickly Dorian got disappointed in Sibyl and grew cold to her. The scene supposed the glory of Sibyl Vane and make her stand out, but her play was artificial and disappointed everyone. The “Picture of Dorian Gray” belongs to the belle-letters functional style, the main aim of which is to give the reader aesthetic pleasure, to make him think and to entertain him by appealing to his emotions. The extract under analysis is told from the third person, from the point of view of an omniscient anonymous narrator. Description and narration are the main types of narrative used in the extract. Dialogue is used in the middle of the extract. The scene is laid in the theatre. The spatial markers are direct: box, orchestra, curtain rises, stage. The Past Simple is predominantly used in the whole extract, the exception are the dialogues represented in the Present Simple. There is an actual temporal marker: that night, so the reader can understand that it was one specific night. In order to keep the reader’s attention the author resorts to the developed system of connectives. Such connectives as for some reason, but, as, so, , and, so as, indeed, as always, of course, after all can be observed in the extract under analysis and also add to the emotiveness of narration. Also the peculiar feature of the text is the wide usage of epithets, which are employed to add...
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