These chapters introduce the reader to Hester Prynne and begin to explore the theme of sin, along with its connection to knowledge and social order. The chapters’ use of symbols, as well as their depiction of the political reality of Hester Prynne’s world, testify to the contradictions inherent in Puritan society. This is a world that has already “fallen,” that already knows sin: the colonists are quick to establish a prison and a cemetery in their “Utopia,” for they know that misbehavior, evil, and death are unavoidable. This belief fits into the larger Puritan doctrine, which puts heavy emphasis on the idea of original sin—the notion that all people are born sinners because of the initial transgressions of Adam and Eve in the Garden of Eden.
But the images of the chapters—the public gatherings at the prison and at the scaffold, both of which are located in central common spaces—also speak to another Puritan belief: the belief that sin not only permeates our world but that it should be actively sought out and exposed so that it can be punished publicly. The beadle reinforces this belief when he calls for a “blessing on the righteous Colony of the Massachusetts, where iniquity is dragged out into the sunshine.” His smug self-righteousness suggests that Hester’s persecution is fueled by more than the villagers’ quest for virtue. While exposing sin is meant to help the sinner and provide an example for others, such exposure does more than merely protect the community. Indeed, Hester becomes a scapegoat, and the public nature of her punishment makes her an object for voyeuristic contemplation; it also gives the townspeople, particularly the women, a chance to demonstrate—or convince themselves of—their own piety by condemning her as loudly as possible. Rather than seeing their own potential sinfulness in Hester, the townspeople see her as someone whose transgressions outweigh and obliterate their own errors.
and his probable death. The...
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