Analyse of Escape

Topics: Fiction, Narrative, Comedy Pages: 2 (881 words) Published: December 1, 2011
Analysis of the story ‘The Escape’ by Somerset Maugham
The story “The Escape” written by an English writer Somerset Maugham is under the interpretation. This is a story about common people in common situation, and Maugham manages to tell it with the sense of humour and in a very interesting way. The story has a straight line narrative structure with author’s digressions at the beginning. The author establishes realistic setting to his piece of writing. He is the observer-writer, he uses the first-person narrative structure, but the narrator nevertheless is a secondary personage in his story. The main heroes here are Roger Charing and Ruth Barlow. To describe them, Maugham uses the direct characterization. The story can be divided into four main parts: the exposition, passages about Ruth’s and Roger’s love, Roger falls out of love and the break-up. The story starts from the exposition in which the author introduces the reader with the problem. So, the problem is that if a woman wants to marry a man, it’s a man’s hazard. He has to find the way out of the situation. In the exposition the author uses metaphor talking about marriage as a dangerous thing (“flight could save him”, “the inevitable loom”), he also uses direct speech (expressing the thoughts of “a friend of him”) and a simple emotive epithet (“women are fickle”). His humour here is in the fact that the poor friend came to what he had run away from, so this is a situational humour. Then comes the opening, in which both Roger Charing and Ruth Barlow are introduced. There is also humour (irony) in these passages – it is said that Ruth was twice a widow, which makes the reader guess that Roger is the next victim, through the figurative simile (“He went down like a row of ninepins”) and epithet “defenceless” used towards the men. The author also uses a question perimphasis (“(or should I call it a quality?)”). He also gives a direct description of Ruth’s eyes using the epithets (“splendid”,...
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