Althenopis Composition

Topics: Family, Fiction, Novel Pages: 2 (446 words) Published: February 18, 2011
Perugia, 15.02.2011

Manuela Di Martino

Reaction Paper 2 The influence of female figures and the problem of identity for the author.

Fabrizia Ramondino debuted in 1981 with the novel Althenopis, which is full of footnotes. Althénopis is a name ,used by the Germans, who wanted to be a mockery of the myth of Southern Italy and Naples. It is a text halfway between the autobiography and the novel We are in the late thirties to the fifties. At the time of Fabrizia’s childhood and adolescence, and a season of his adult life. A family with three children, a domineering grandmother and a mother in poor health. In a village on the Sorrento peninsula (known as Santa Maria del Mare or Frasca), among peasants, displaced from the city and owners of luxury homes. For much of the novel return, insistently, the portrait of her grandmother and her mother. Completely absent, or almost, the figure of her father, who is always far. And then a set of aunts, uncles, cousins around which the narrator reflects on her fate and her family. Fabrizia’s writing is very detailed and descriptive, it looks like a picture of the reality of that period. In this novel she describes a kind of matriarchal family, and women play a central role. Particularly important and interesting is the figure of the grandmother, a strong, extravagant woman and lover of food. In my opinion the figure of the grandmother has a great influence on Fabrizia, thanks to her determination and self-confidence. She is a woman who has a strong personality and she believes into the real values (like religion). Grandma can be defined the antagonist of the mother.

Indeed Fabrizia had not a good relationship with her mother, who is described as a depressed, sick and weak woman, completely the opposite of the grandmother. So there is a strong relationship between Fabrizia and her grandmother while the relation with her mother is absent. Through the novel we can also understand the problem of identity. In fact, Fabrizia...
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