FOREWORD 1.0 IntRODuctIOn 2.0 nEWDEsIgnInHIstORIcsEttIngs 3.0 PRIncIPLEsFORnEWDEsIgnInHIstORIcsEttIngs 4.0 mEtHOD 5.0 cAsEstuDIEs:AnOVERVIEW 1 3 5 7 11 17
We would like to express our thanks to Urban Initiatives, Malcolm Fraser Architects and Andrew Wright Heritage Consultants for their work in preparing the initial report for this publication. Images are Crown Copyright unless otherwise stated. Dates, where given, are of project completion. Front Cover Image, Shettleston Housing Association Offices, Glasgow, 2010. Elder and Canon, Credit Andrew Lee.
scotlandhasoneof therichesthistoric environmentsinthe world.Ithasevolved overcenturiesas anattractivemixof theoldandthenew withgenerationafter generationleavingits mark. thisisapositiveprocessthatweshould celebratebutwemustpayheedtothese preciousculturalassets. Whenweseeagoodnewbuildinginahistoric placewerightlyfeelproudthatwehave managedtounitepastandpresentstylesand tastes. Ouraspirationindesigningallnewbuildingsin historicsettingsmustbetomatchthequalityof thenewwiththeoldsothattheyarerespected andenhancedforthebenefitofthosewholive inscotlandandthemillionsofvisitorswho cometoenjoyourwonderfulheritage. newdesignsinhistoricsettingswillalways generatedebate.tothisday,thescottish Parliamentbuildingsplitsopinion.sincethe competitiontodesignitwaslaunched,eloquent andpassionateargumentsbothforandagainst ithavebeenvoiced. thisguidancehasbroughttogether,by acollaborativepartnership,planning professionals,award-winningarchitects,urban designersandscotland’sheritageagency Historicscotland.Itsetsouttolookatsome broadprinciplesandexamplestohelpstimulate debateandunderstandingforallthoseinvolved inthedesignofbuildingsandplaceswithin historicsettings. Itisnotachecklistoraone-stopshop.Ithas lookedatsuccessfulprojectsandhowwhatthey didmightbereplicatedtoenhancethedesign process. theaimofthisdocumentistosetoutthe meansbywhichwecanraisethestandardof newdesigninmuch-lovedhistoricsettings. therearealreadymanyexcellentexamples throughoutthecountryandwehaveincludeda fewofthesetoshowhowtheprinciplesworkin practice. goodqualityarchitectureandplanningisvital toimprovinghowpeoplefeelaboutanareaand canmakeasignificantdifferenceinhowpeople usespace. Ihopethiswillencouragemorepeopletolook atwhatgooddesigninvolvesandsparkfurther debateonhowwecontinueournationallegacy ofarchitecturalexcellence. Ruth Parsons chiefExecutive Historicscotland
NEW DESIGN IN HIStOrIC SEttINGS
Piers Arts Centre, Stromness, 2007, Early Sketches Credit: Reiach and Hall Architects
1.1 Why is guidance necessary? 1.3 What is the purpose?
the purpose of this publication is to explore how good design in historic settings is achieved. there is not one correct answer or approach of course, but there are ways of thinking and working which increase the likelihood of success. Clearly, the skill of the designer is at the heart of the issue so our aim is to set out an approach to design which will help to break down the design process into a series of steps involving interrogating, analysing and designing effective solutions that are appropriate for the specific historic context being considered. the desired outcome is the high quality design of new buildings and spaces in historic settings. the key message is that the historic environment is a resource that must be protected but which can add cultural and economic value to new design placed within it. Equally the introduction of a successful new building will enhance the historic setting, will become a...