AND THE ‘I’ OF THE BEHOLDER
THE PROBLEM AND ITS SCOPE
Rationale of the Study
Literature has always been a part of every man, whether enjoyed and appreciated in different perception, it could be through reading the text or by watching it on stage. In the end, the important is that readers and viewers are entertained and understood literature at its best.
Theater is one of the ways which people can enjoy literature and it has always been a part of every man to watch and be entertained in theater. It is man’s expression of his daily drama of his life, whether it could be sweet or bitter. Man expresses his emotions through different ways and tends to be storytelling of his life since it is where man finds belongingness when others pay attention of his own drama. From the very beginning, theater has come to take on many forms, utilizing speech, gesture, music, dance, writing, and shows. It also combines the other performing arts, often as well as the visual arts, into a single artistic form. Theater also shows that it is man’s higher nature and need to be emotional, intellectual, spiritual, and creative. It is in theater that all of these aspects of man’s higher nature and need are used to express and demonstrate aesthetic experience in theater as well as in life. Aesthetic experience is essential to every human being since this is the pleasurable and desirable experience that gives life worth and meaning. Aesthetic experience in theater is experienced in two ways; the experience of the performer or the actor and the experience of the audience. Indeed, aesthetic experience is not only significant to the characters performing on stage but also to the audience whom the performance is being addressed. The actors on the stage has performed the characters they portrayed in theater has always significant effect on their personal experience or the opposite. The theatrical experience has something to do with (a) their preparation for the role and dialogue with the character within his part, (b) his search for unity and appropriateness, harmonious correspondence between performing ‘self’ and impersonated ‘character’ (c) the opportunities for impressive displays of theatrical and dramatic skill offered by the convention of multiple role playing and, (d) his professional aims vis-à-vis his audience. Thus, it is always viewed and considered that the actors are always aware of their own changeability in dramatic identity and the reality that is essential to his everyday self. The audience is one of the most important in theater. The experience of the audience in theater has something to do with their artistic self-awareness. The audience or the ‘I’ of the Beholder in theater is significant since the response of the audience is important to the performers because it gives them worth. The audience in theater responds to (a) sensory stimulation of the play (b) human values which is natural in any text or dialogue (c) artistic excellence that is fulfilled in the production and, (d) intellectual value or the performance value that communicates to the idea of the audience. Plays contain some ‘hooks’ on which an audience can hang their personal experiences. The play as it is written needs the interaction with the audience to complete its full meaning with the help of the good performers. In theater, both the actors and the audience have played and an important role to make the life of the theater alive. It’s totally an odd if the performers performed in a specific place for no reason. Thus, a group of individuals gathered at a certain time and place for no purpose other than to see the performance. With this, performers in the theater should always see the value of their talents as actors that entertain the audience that hunger for the interpersonal contact, explore issues while bringing people to the same room and most especially, complete its...