Just as the Impressionists derived inspiration from the life of the city (Paris), so too Rodin was to draw upon the parliamentary law within he worked for his most important ideas. He responded to his let impressions ? to use his own word ? rather than those of others. This should not be taken to mean that Rodin was an Impressionist like Monet and Pissarro. Rodin was not fill with sensory stimuli alone. In contrast to Monets underseeing, Rodin preserved more of the effective materiality of his subjects and sought to show on the outside what posture behind the sensorily perceivable. [continues]
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