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History of Rock and Roll

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History of Rock and Roll
Question 1

(1 point)

Brackett, Chapter 11: Independent (Indie) record labels are often able to take chances that major labels cannot. Why?

Student response:

Percent Value Student e

Respons Answer Choices

a. Low talent & recording costs for indie labels 0.0% b. Indie labels set up their distributio n carefully (identified their key demogra phic and distributio n areas and only sent material to those disc jockeys and radio stations)

c. Major labels often paid huge amounts of money to

Score: Question 2

0 / 1 (1 point)

Garofalo, Chapter 2: In the early days of radio, blues and jazz received way more radio airplay than country music. Student response: Percent Value Student

Response Answer Choices

a. True 100.0% b. False

Score: Question 3

1 / 1 (1 point)

Rockin’ Out Supplemental Reading 1, 519­526 (Halberstam on McCarthy.) In 1950, Senator Joseph McCarthy became infamous for instigating this ‘‘four­year spree of accusations, charges and threats’‘ that would ruin the careers of many people in politics and show business, and spawn a sort of national political hysteria:

Student response:

Percent Value Student e

Respons Answer Choices

a. a crackdow n on the practice of ‘‘payola’‘ in the record industry 100.0% b. a ‘‘witch­ hunt’‘ against suspected Communi sts and Communi st sympathiz ers

c. a push toward a radically liberal interpretat ion of the Constituti on

Score: Question 4

1 / 1 (1 point)

Garofalo, Chapter 2: In 1938 and 1939, this white American record producer, who had recorded Bessie Smith, Billie Holiday and other African­American artists, organized the very successful ‘’From Spirituals to Swing’’ concerts at Carnegie Hall in New York. In 1939 he became a record executive for a major label, Columbia, where he worked for many years, boosting the careers of artists such as Bob Dylan, Aretha Franklin, and Bruce Springsteen. An

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