Preview

Biography of Louis Armstrong and Analysis of His Complete Hot Five and Hot Seven Recordings

Better Essays
Open Document
Open Document
18251 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Biography of Louis Armstrong and Analysis of His Complete Hot Five and Hot Seven Recordings
Louis Armstrong
“The Complete Hot Five and Hot Seven Recordings”
Louis Armstrong
Courtesy of
Sony Music Entertainment
“Little Louis” Armstrong was born — like so many who shaped American music — poor, black, and on the far side of the American Dream. His date of birth was August 4, 1901, although he believed that he was born on the Fourth of July, 1900. He never knew his father, who abandoned the family when Armstrong was an infant, and his mother, Maryann, worked at whatever jobs she could find, including prostitution. He grew up in Storyville, the violent red light district of the Crescent City, and learned about life from the pimps, gamblers, prostitutes, thieves, and other denizens of the streets who inhabited his childhood world. He went to the Fisk School for Boys, the same school that Buddy Bolden, the man credited with inventing jazz, had attended. He stayed in school until he was eleven, but finally abandoned academic pursuits to try and make his way on the streets. He worked for a Jewish merchant named Morris Karnofsky who showed the boy kindness and even advanced him five dollars to buy his first cornet from a pawnshop. Karnofsky understood that Armstrong had “music in his soul” and thought the boy might be able to become a musician.
Music was a central fact of life in New Orleans and Armstrong was fascinated by the extraordinary diversity and wonder of it all. Funky Butt Hall, where dances were held on weekends, was just around the corner from where his mother lived. Ragtime and early blues were played in the bars and clubs that surrounded the bordellos of Storyville and could be heard at all hours of the night. Some musicians were following the lead of Buddy Bolden and were “playing hot” in those bars and clubs. In time, “playing hot” would be called jazz.
On New Years Eve of 1913, Armstrong fired a pistol that he had stolen from one of his “stepfathers” on Rampart Street — not in threat or anger, but as a noisemaker.

You May Also Find These Documents Helpful

  • Good Essays

    Louis Armstrong was born on August 4, 1901 in New Orleans,Louisiana. Armstrong raised in the place named ¨The Battlefield¨ located in one of the poorest parts of Louisiana. Shortly after Armstrong was born his father left him and his mother. Even though his mother would leave him with his grandmother frequently because of his mother often leaving to do prostitution to take of her and Armstrong. On New Year's Eve in 1912,Armstrong got arrested on the spot for firing off his stepfather's gun. He was sent to Colored Waif's Home…

    • 919 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Louis Armstrong’s “Black and Blue” uses simple questions for someone to recognize both he and Ralph Ellison’s Invisible Man are comparable. To be comfortable and confident in your own skin is a recurring problem for people of color and seems to always be brought up in today’s society. Louis Armstrong goes on to say that “his only sin is his skin” and asks “how will it end?” (Armstrong). Different skin tones have separated all humans to a point of no belonging. Invisible is convinced that he is a traitor to his own grandfather because he is courteous towards white people. To feel like a two-timer towards the same species as you is something mankind should not have to face. The African American culture shouldn’t be referred to…

    • 1523 Words
    • 7 Pages
    Good Essays
  • Satisfactory Essays

    Benny Goodman

    • 484 Words
    • 2 Pages

    Considered one of the greatest jazz players ever, Benjamin David Goodman, or Benny Goodman, was called the King of Swing. The ninth child of eleven was ten or so when he picked up the clarinet. After a year he was performing impressions of Ted Lewis for a little pocket money. When he was fourteen he was playing for a band that featured the famous Bix Beiderbecke. By sixteen he was known as far as the west coast and was invited to be in Ben Pollack’s band. While he played there four years he was also attending Illinois institute for technology in his sophomore year. His father was a middle class workman and Benny couldn’t imagine living a life like that. He was inspired to do better.…

    • 484 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Louis Armstrong

    • 468 Words
    • 2 Pages

    Louis Armstrong was very productive from the 1920’s to the 1960’s; he provided jazz with its big leap forward. His Hot Five and Hot Seven group recordings for the Okelt records label between 1925 and 1928. They were the greatest that the label had accomplished in music to that point of time. Louis Armstrong’s father was a work man and his mother sold her body. But this did not stop Armstrong from doing what he was doing.…

    • 468 Words
    • 2 Pages
    Good Essays
  • Better Essays

    The book, Chicago Jazz, a Cultural History 1904-1930, was written by William Howland Kenny and published in 1993. This book is a secondary source which explains many of the cultural elements and emotions – such as liveliness – and how they were infused into jazz. The purpose of this text is to analyze jazz music and its culture from its origins up to the great depression. It was written as a scholarly text and as a means of exploring the past of jazz. This source demonstrates value as…

    • 1921 Words
    • 8 Pages
    Better Essays
  • Powerful Essays

    Jazz Ken Burns

    • 1443 Words
    • 6 Pages

    In the first episode of “JAZZ,” Ken Burns demonstrates how the creation of jazz was made possible by the social and political circumstances in New Orleans during the late seventeenth century and early eighteenth century. By combining the historical explanations of narrator Keith David and the emotional commentaries of African American artists, he retells history in an unconventional way that gives a more meaningful description than textbooks and encyclopedias. As Keith David explains, New Orleans was the home to two different social circumstances: it was the most “cosmopolitan city in America” as well as the center of the slave trade. New Orleans was a place filled with “people from all nationalities living side by side” who brought upon a musical “gumbo” of Caribbean rhythms, classical music, minstrel music, the blues, ragtime and more. These diverse musical styles were taken advantage of by the African American people, in a period of time where they were deprived of the freedom that America promised to all of her inhabitants. African Americans found the liberty they sought for in music and dancing. Ken Burns supports this idea by explaining how blacks were allowed to sing, dance and play the drums in the Congo Square as he demonstrates it in a series of…

    • 1443 Words
    • 6 Pages
    Powerful Essays
  • Powerful Essays

    Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play jazz. As a child, to help support his mother, he worked different odd jobs. Mainly, he would sell newspapers and deliver coal. Also, he would sit on the street corners and sing for loose change. Armstrong then dropped out of school after the 5th grade and ran into a little trouble with the law. He was arrested for firing a weapon in a city and was sent to the Colored Waifs Home for one and a half years, where his musical career really started(“Louis Daniel Armstrong”). Thanks to his childhood, and his involvement in music, he became one of the greatest jazz musicians of all time and a singer responsible for the development of major trends in pop and jazz music(Tirro). Louis Armstrong became famous due to his musical talent, social involvement, personality and influence on jazz.…

    • 3029 Words
    • 13 Pages
    Powerful Essays
  • Powerful Essays

    Many Americans enjoy sitting back, relaxing, and listening to the jazz and swing rhythms of one of the best musicians of the 20th century, Louis Armstrong. Louis Armstrong is easily recognized by simply listening to his infamous raspy voice and legendary, creative skill on the trumpet. All Armstrong had to do to play beautifully was to play one note. Louis Armstrong had a strong influence in music. His forte in jazz, ragtime, and swing was solo performing and improvisation. First, his dedication to music influenced jazz music and then later all popular music. I chose Louis Armstrong because of his love for music as well as his charismatic attitude towards life. A question I want to investigate more thoroughly is how and why Louis Armstrong impacted jazz and popular music.…

    • 2125 Words
    • 9 Pages
    Powerful Essays
  • Better Essays

    Louis Armstrong was the greatest of all Jazz musicians. Armstrong defined what it was to play Jazz. His amazing technical abilities, the joy and spontaneity, and amazingly quick, inventive musical mind still dominate Jazz to this day. Only Charlie Parker comes close to having as much influence on the history of Jazz as Louis Armstrong did. Like almost all early Jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve after firing a gun in the air on New Year's Eve. At the school he learned to play cornet. After being released at age fourteen, he worked selling papers, unloading boats, and selling coal from a cart. He didn't own an instrument at this time, but continued to listen to bands at clubs like the Funky Butt Hall. Joe "King" Oliver was his favorite and the older man acted as a father to Louis, even giving him his first real cornet, and instructing him on the instrument. By 1917 he played in an Oliver inspired group at dive bars in New Orleans' Storyville section. In 1919 he left New Orleans for the first time to join Fate Marable's band in St. Louis. Marable led a band that played on the Strekfus Mississippi river boat lines. When the boats left from New Orleans…

    • 1557 Words
    • 7 Pages
    Better Essays
  • Better Essays

    Dizzy Gillespie

    • 1326 Words
    • 6 Pages

    John Birks Gillespie was born in Cheraw, South Carolina in 1917 (Aycock, 1997). He grew up in a modest, blue collar family of nine children, and enjoyed a childhood of love and discipline (Aycock, 1997). His upbringing no doubt helped him avoid some of the common pitfalls many popular musicians faced. In addition to laying bricks, his father was the leader of a local band (Aycock, 1997). Dizzy was often exposed to many different instruments and unique styles of music, often times experimenting with the instruments while his father was gone (Horricks, 1984). Intrigued by music Dizzy began his fast-track toward perfecting his craft early in life, a brand of enthusiasm towards learning that never left him. Dizzy began playing the trombone at the age of fourteen, but soon found true love after experimenting with a neighbor’s trumpet (Aycock, 1997). By the age of eighteen, Gillespie found employment in the music business, when he began playing with the Frank…

    • 1326 Words
    • 6 Pages
    Better Essays
  • Good Essays

    The family is remembered by a foundation named after them that takes donated instruments and puts them in the hands of a eager child. The first person to instruct Louis on how to play the trumpet was Peter Davis. Louis first played in a band for New Orleans home for colored waifs. Peter Davis use to visit the home when the administrator called him he was responsible for disciplining and teaching young louis. Davis made louis the leader of the Home Band and they played all around New Orleans which was the start up of Armstrong's music career around the age of thirteen. Armstrong was released from the house at the age of 14 Where he went to live with his father but bounced around from house to house then back to the temptations of the streets. The incident that had got him in the home was when he shot a pistol in the air at a parade. The pistol was his fathers. His first dance hall job was at Henry pounce where Black Benny became his protector. Louis played at brass band parades and listened to the older artists like Bunk Johnson, Buddy petit, Kid Ory, and a person who acted as a father figure Joe "King" Oliver. Louis began playing with a band called Fate Marable that played on a steamboat up and down the Mississippi River. Louis Armstrong was one of the most influential artists in the history of music.…

    • 799 Words
    • 4 Pages
    Good Essays
  • Better Essays

    The Life of Louis Armstrong

    • 2736 Words
    • 11 Pages

    Bibliography: Alexander, Scott. "Louis "Satchmo" Armstrong (1901-1971)." A History of Jazz Before 1930. 7 Dec. 2005 .…

    • 2736 Words
    • 11 Pages
    Better Essays
  • Good Essays

    Charlie moved to New York City after a short stay in Chicago. He found work playing in swing bands but started experimenting with his own style of playing. Late at night, he would gather with other musicians who wanted to play fast-paced, fiery music. This jazz style would later become known as bebop. At first many of the older jazz artists and fans did not like bebop. The unpredictable beats and lengthy improvisations were not like the smoother rhythms of swing music. For swing fans, jazz was music for dancing. Unlike swing, bebop was powerful music for…

    • 464 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Louis Armstrong also known as "Satchmo," "Pops" and "Ambassador Satch," came to prominence in the 1920’s. He influenced many artists with his unique and daring trumpet style and vocals. In 1922 louis joined king oliver’s Creole Jazz Band on second cornet, also with oliver he eventually made his first recordings on April 5th, 1923. On that day he got his first recorded solo on “Chimes Blues.” In the year of 1924 Armstrong joined Fletcher Henderson's orchestra, and immediately made his presence felt with a series of solos. Eventually Louis left Henderson, nevertheless he went back to chicago when Okeh records let him make his first records with a band under his name. Armstrong made more than 60 records with the hot five who later became the hot…

    • 147 Words
    • 1 Page
    Good Essays
  • Good Essays

    Louis Armstrong Nicknames

    • 335 Words
    • 2 Pages

    Louis Armstrong was one of the most famous trumpeters to ever live. He was born on August 4th, 1901 in New Orleans, Louisiana. His father was a factory worker and he abandoned Louis after his birth. His mother left him with his grandmother and was always in prostitution. He married died on July 6th, 1971 in Corona, Queens, New York. He went to school at the Fisk School for Boys and the Colored Waif’s Home for Boys. His nicknames all his friends and fans gave him was “Pops”, “Satchmo”, and “Ambassador Satch. In 1981, he replaced Oliver in Kid Ory’s band, which was the most popular in New Orleans. In his early life, he joined Creole Jazz Band on second cornet in Chicago. In Chicago, he was allowed to make his own band and called it, “Armstrong…

    • 335 Words
    • 2 Pages
    Good Essays

Related Topics