Camera and Lighting

Only available on StudyMode
  • Download(s) : 91
  • Published : December 21, 2012
Open Document
Text Preview
MODULE 201
Module co-ordinator – Ayesha Sruti Ahmed, 216, D
Group members and work alloted:
TOPIC| NAME| ROLL NO| SECTION|
The spectator| Mayank Susngi| 243| D|
Direction| Saloni DandavateSiddhi Bhopale| 297356| BA|
Editing| Mehernaz Jila| 208| A|
Scriptwriting| Guneet DharPrashant Kanaujia| 220351| CB| Light| Manali Misra| 303| D|
Colour| Lovina Raymond| 260| D|
Sound| Vivek Ranganathan| 333| A|
Verbal Language| Hiren Naresh| 334| D|
Music| Tanveer Taj| 267| A|
Production Process| Seema Khinnavar| 343| C|
Credits| Katyayani Mudholkar Nakul Kaura| 279354| DB|

THE SPECTATOR
Probably the most important aspect of a film is how well it connects with the audience which leads us to the question-why does a member of the audience feel involved in a film? Is it to escape reality? Is it an expansion of our dreams? Are we so meddlesome that we want to see what’s happening in other’s lives? Or is it just the plain fact that it appeals to all of our senses? Every film has a few common characteristics irrespective of its genre i.e. it is shot by a camera and the camera functions as the filmmaker’s vision and point of view. The spectators see and hear what the filmmaker wants them to see and hear. In a sense, the filmmaker borrows your eyes and ears and induces a wilful suspension of disbelief where the camera acts as the spectator’s eyes and the microphone, the ears. The filmmaker thus has the ability to vicariously transport the spectator to another time and space if he wishes to. Example:

* Some things in life can only be experienced vicariously such as the landing of man on moon. The action of the world war can only be recreated when you’re personally inside the frame, living each moment. CASE STUDY:

Manthan- Shyam Benegal
Dr. Rao gets a telegram stating that he’s being transferred to the city. He goes to meet Bindu for the last time but her jealous husband doesn’t allow him to meet her and tells her that she’s gone away even though Dr. Rao sees Bindu standing near the hut. He retraces his path back disappointed. The scene is played out in 1 minute, 9 seconds through a series of 14 shots and gives the viewer the feeling of being physically present with individual characters being able to identify with each of them through a series of close-ups. Imagine if the scene was shot in a continuous manner without any change in the camera position. Would you still be able to relate to the characters? Would you be able to feel the same emotions like before? Theatre is played out on a stage where the viewer has a fixed position of viewing whereas viewing movies is a very different ball game. In movies, the spectator is invisible and is seeing the drama as it unfolds along with the actors. The script is written keeping in mind an extra character i.e. the spectator. Another reason for involvement is the incorporation of sounds that travel long distances. Example: * Imagine a hero trying to lip sync his actions on screen while recording, while all we see on screen is the hero telling the heroine how much he loves her and how he can’t live a second without her. This is the primary reason why the spectator feels more involved while watching movies. This is where the success of movies lies as a medium as no other medium is as elaborate or as different. It is often said that the story is immaterial but the technique is important. But when the technique used is ineffective, the other ingredients of film making come into the equation. The film maker has a lot of tricks up his sleeves to comfort, discomfort, engage and entertain the audience. He can design the movie such that you look at it from only one point of view or he could also leave the spectator to form his own interpretation of the movie. He may choose only to disseminate information or to dramatize the entire movie. He may also try to stop the involvement of the spectator in the movie by making him conscious...
tracking img